Björn Meyer-Ebrecht's work has been the subject of recent solo and two-person exhibitions at Owen James Gallery, Studio 10, and Storefront Ten Eyck in Brooklyn, NY; and Matjö, BBK, Cologne, Germany. He has participated in group shows at Transmitter, Brooklyn, NY; Lesley Heller

From the late 1960s until 1998, Northern Ireland suffered through The Troubles: an era of severe political and sectarian violence, which was particularly brutal in the cities of Derry and Belfast. It emerged from a tormented national history as a call for more civil rights by the area’s Catholic minority. At its heart was, and is, a bitter debate over whether Northern Ireland should remain

Read the artist bio and gain a deeper understanding with MutualArt's artist profile. 2012-05-30 Björn Meyer-Ebrecht talks about his work. Create. Make social videos in an instant: use custom templates to tell the right story for your business.

Björn meyer-ebrecht

The painter Julie Torres continues her great mitzvah 24 Jan 2017 177, EBRECHT, Georg, XE000954 515, MEYER, Horst R.G., AE515877. 515, MEYER, Kurt 75, BJOERNSSEN, Bjoern, XE252899. Emily Izabel Amundsen @lifewithemilyy · George J.J @george_j.j · Oliwer @oliwerlundin · Björn Meyer-Ebrecht @bjoern_meyer_ebrecht · Emelie Norén 54, GER 1777, Martin MEYER, Magic, IF-Boot, 112.0, Martin MEYER, Carsten HOPKE, PYCPotsdamer Yacht Club e.V. Laddar. Sponsor: Johann Arnold Ebert · George Ebrecht · Otto Eckmann · David Klöcker Ehrenstrahl · Paul von Eitzen · Johan Ellers · Ottmar Elliger den yngre · Johann Franz Ebrecht, Ronald.

He has participated in group shows at Transmitter, Brooklyn, NY; Lesley Heller Uprising brings together two complementary aspects of German artist Björn Meyer-Ebrecht’s work. In both his ink-on-paper drawings and his painted-wood platforms one can see direct and indirect references to architectural history, and sociology.

Uprising brings together two complementary aspects of German artist Björn Meyer-Ebrecht’s work. In both his ink-on-paper drawings and his painted-wood platforms one can see direct and indirect references to architectural history, and sociology.

more info. Nothing Belongs To Us @ Rule Gallery Denver. July 10 - August 15, 2015 curated by Hayley Richardson 2015-10-25 GUEST SPOT @ THE REINSTITUTE , 1715 N Calvert St, Baltimore, MD, 21202, United States From the late 1960s until 1998, Northern Ireland suffered through The Troubles: an era of severe political and sectarian violence, which was particularly brutal in the cities of Derry and Belfast.

Available for sale from Owen James Gallery, Björn Meyer-Ebrecht, Untitled (Stairs) (2017), Ink and tape on paper, 72 × 61 in

It emerged from a tormented national history as a call for more civil rights by the area’s Catholic minority. At its heart was, and is, a bitter debate over whether Northern Ireland should remain Discover more posts about bjorn-meyer-ebrecht. Looked around but didn’t see anything about that. Copyright © Björn Meyer-Ebrecht 2021 Login Login Björn Meyer-Ebrecht Untitled (Platform 6), 2019 Wood, plywood, acrylic paint, acrylic polyurethane and screws 16 x 58 ½ x 34 ½ in. / 40.6 x 148.6 x 87.6 cm.

Eborg Eborn Ebre Ebrecht Ebrelius Ebrell Ebrenius Ebrin Ebring Ebstein Eby Ech Hedberger Hed-bem Hedbjer Hedbj örk Hed-björn Hedblad Hedblom Hedbo *Mij dema 'Mik-Meyer Mikaelio Mikaelius Mikaels Mikaelson Mikaelson- Myhr Författare Björn Folkow. Belkic K., Schnall P., Pickering T. et al. State-of-the-art Oslo: Fagbokforlaget; 2002. Meyer BB, Lemley KJ. Utilizing exercise to affect Dietrich Meyer-Ebrecht. 659 Rolf-Peter Stadlmeyer. 619 Matthias Bartelmann ⋅ Bjorn Feuerbacher ⋅ Timm Kruger ⋅ Dieter Lust ⋅ Anton Rebhan.
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24 Aug 2014 BEACON Matteawan Gallery “Booksmart,” Theresa Gooby, Brece Honeycutt, Björn Meyer-Ebrecht and August Ventimiglia. Through Aug. 31.

Björn Meyer-Ebrecht Untitled (Platform 1), 2018 Wood, plywood, acrylic paint, acrylic polyurethane and screws 18 x 26 ¼ x 21 ¼ in. / 45.7 x 66 x 54 cm. Björn Meyer-Ebrecht has a show at Matteawan Gallery in Beacon for a few more days. Björn Meyer-Ebrecht’s objects provide a stage, and the viewer is the actor who must perform the uprising.
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Available for sale from Owen James Gallery, Björn Meyer-Ebrecht, Untitled (Audience) (2019), Ink and archival tape on 2 sheets of shaped paper, 69 1/4 × 62…

By bringing Ebrecht's work together with certain works by Josef Albers a dialog about Modernism’s repercussions is achieved.